Worst 10 Led Zeppelin songs of all time: Led Zeppelin was one of those groups that are insisted to do something new with each new album. Thus, much of their work preserved ground-heavy blues-rock sound that they began secured legendary riffs and awesome drums John Bonham, Jimmy Page, but the group is always a place for visits to the subtle folk, Eastern music, reggae, funk and synth experimentation. Covering so much of the earth, it is surprising that the band has remained consistent, as they have done through their eight original studio albums, but this does not mean that they are not recorded some clunker. This, in the opinion of this humble writer, rare tracks that do not work, the worst song of all time Led Zeppelin. 1. “I Can’t Quit You Baby” The self-titled debut Led Zeppelin to crystallize their iconic blues hard rock dynamic at the beginning of his career, and only a faint trace of the album is a cover of Willie Dixon's passable "I can not leave You Baby." The band members all on point, in particular page, but repeated lyrics and slow pace, to make quite a sad song on an otherwise riveting recording. 2. "The Lemon Song" Like "I can not leave You Baby" before it, "The Lemon Song" is another slow blues burning workout that is just too long, doing just enough to keep things interesting. To make matters worse, the lyrics (with highlights like "accordion (my lemon), until the juice runs down my leg") rank among the most juvenile Led Zeppelin ever recorded, what is really saying something. 3. "Moby Dick" "Moby Dick" begins as a rocker with a middle instrumental riff worthy to stand together with all the other big on Led Zeppelin II, but then it turns into a drum solo. John Bonham was the drummer apparently strange, but even he can not make an extended drum solo, which is interesting to listen to. At least, the song lasts only four minutes on the record, as opposed to the 15-minute version, plus they played live. 4. "Living Loving Maid" Least favorite Jimmy Page Led Zeppelin song and one of my, and "Life Loving Maid" is hardly two minutes long, but still finds a way to become annoyingly repetitive in the short period of time. There rolls central riff, but the song so much rely on it, offering a bit more, especially if we are talking about the lyrical content. 5. "Celebration Day" One of the few rockers on simple folk-oriented Led Zeppelin III, "Celebration Day" is not necessarily a bad thing, but it certainly pales in comparison to the high standards group for themselves. riff and vocal hook page and Robert Plant are too weak to withstand the great interest that was evident, must be one of the greatest saints of the album of the crowd. 6. "Hats off to (Roy) Harper" Led Zeppelin III closes with the experimental track, at least, it is interesting, even if it is very affordable and even enjoyable. Built around Page's bottleneck slide guitar and heavily processed vocals plant, "Hats off to (Roy) Harper" is a curiosity, I am pleased that there is, even if he can not measure up to the more simple the strengths of the best tracks of the group. 7. "Hots On For Nowhere" After the investigation of their previous releases and the Holy House of Physical Graffiti, 1976 Presence feels like a return to the basics, which gets a little too basic. Sometimes the songs are strong enough to go beyond the relative simplicity of the album, but "Hots On For Nowhere" is not one of those - instead, he sniffs along the simplistic and stop-start riff without much vocal melody for the indifferent five minutes. 8. "Royal Orleans" Everything I just wrote about the "Hots On For Nowhere"? All this is to a large extent refers to the "Royal Orleans," another track Presence more forgettable than anything the group had done before. 9. "Hot Dog" The final actual album Zeppelin's In Through the Out Door is a softening of their earlier sound, relying more heavily on synthesizers and oust Paige guitar work than in previous releases. This works fine for most of the album, but "Hot Dog" is just a little too blunt and capricious for the group. Rockabilly is a throwback to "love it or hate it" type of track, and I find myself falling right into the latter camp. 10. "Carouselambra" The final song of epic length is unfortunate misfire with flashes of light, which is not quite up to the rest of the song. Page's guitar work, as a rule, much in the middle of the song, but the lyrics are mixed too low under the dated synths John Paul Jones' first and last sections of the song, making for an ugly, crowded sounds. *** Led Zeppelin frontman Robert Plant on the upcoming album of British folk-rock act Fairport Convention, 50: 50 @ 50, which marks the 50th anniversary of the group. Plant singing vocals on a special version of the classic "Jesus on the road" of the Gospel, which was adopted during the show in Banbury, United Kingdom of Great Britain and Northern Ireland